Christmas

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Krampus comes to Suburbia

Published December 8, 2015 by rmpixie

Krampus

Krampus (2015, 98 mins.)

 

The frenzy and stress of pulling off a perfect Christmas can put a damper on the spirit of good will, charity and the more important things in life.  In Michael Dougherty’s Krampus, we learn there is a price to pay when we ignore these core values of the holiday spirit.

The Engels are stressed out.  Tom (Adam Scott) and Sarah (Toni Colette), have organized an elaborate Christmas spread for their family, including Sarah’s sister Linda (Allison Tolman), her husband Howard (David Koechner), their four rambunctious children, and Omi (Krista Stadler), Tom’s German mother.  In tow is the gate crashing Aunt Dorothy (Conchata Ferrell), who just can’t be pleased.  Presents, food and decorations take the spotlight as they gather for some holiday cheer.  Unfortunately, they argue, toss barbs at each other, and Aunt Dorothy adds a certain acidic spice to the train wreck festivities.  Right in the middle is Max (Emjay Anthony), Sarah’s son, who tells his concerned Omi that he hasn’t sent his letter to Santa yet, sad that his family has forgotten what Christmas is about.  After being ridiculed for his letter by his mean cousins, he rips it up and tosses it out the window.  To his Omi’s dismay, Max unwittingly awakens the sinister Krampus and his nightmare minions who terrorize the family amidst a freak storm.

This pixie loves the legend of Krampus.  I’m sure if I was aware of him as a child, I would have been gleefully terrified and perhaps developed a phobia, but luckily I came across this horned hellion in my old age.  It’s scary, it’s pagan, and it keeps all the shiny happy people in their place during the Christmas season.  With the many Krampus contributions to the big screen, Rare Exports:  A Christmas Tale being my Krampus litmus test, I think this one is a decent effort.

Dougherty, the mastermind behind the Halloween modern classic Trick ‘r Treat, conveys the Krampus legend with a slightly schmaltzy, feel-good message.  He emphasizes the importance of remembering love and family during the holidays, and the film is a mixture of references such as Gremlins, Puppet Master and a touch of Home Alone, but that’s surprisingly o.k.  Despite the routine holiday spirit lesson, the need for a shorter second act, and the slightly predictable ending, there’s an ominous vibe that makes the film really work.  The large cast jibed well off each other, with the comedy star power of Koechner and Ferrell keeping the one-liners sharp and smart. My only wish would have been to see the versatile Collette flex her comedy muscles a bit more.

What Dougherty also does right is the Krampus character design which was simply delightful.  I loved his take on the Yuletide demon with gigantic hooves clomping thunderously through suburbia.  And be sure to pay attention to the evil toys Krampus leaves the family.  Another display of great character design created with both practical and digital effects.  Definitely the highlight of the film.

It’s fair to say that despite a few minor issues, Krampus should be added to your horror Christmas roster.  It’s a ton of fun overall, does justice to a great creepy Christmas legend, and perfect for scaring all the little brats in your life.

 

Pixie’s Walk Down Memory Lane and the 40th Anniversary of Black Christmas!

Published December 22, 2014 by rmpixie

Black Christmas

Black Christmas (1974, 1 hr 38 mins)

My Christmas post for 2014 is about a Canadian classic.  Made in 1974 and said to be one of the first slasher films, Black Christmas has a special place in my heart.  It is not only one of my top 5 horror films, but also a favourite of my childhood friends.  As kids, we would discuss it at length and giggle at the scary parts. They have since moved out of town, but when we come across it on T.V. or pop it in the V.C.R. or D.V.D. player, we always text each other.

When I heard that Rue Morgue was putting on a 40th anniversary screening of the film at the Royal Cinema, I had to go.  Imagine seeing it on the big screen as it was intended with fellow fans as we walk down Memory Lane?  With one of the films stars in attendance?  And the option to purchase a limited edition poster?  Yes please!

The story, loosely based on real murders that happened in Montreal, is about a sorority house that is plagued with obscene calls made by a mysterious and murderous nut-job as he kills the girls off one by one.  It has become an iconic Christmas horror movie that, to the trained eye, uses some very familiar locations and is slice of Canadian history.  From the search party scene filmed in the neighbourhood that I grew up in at Grenadier Pond (the source of some historical myths), to University of Toronto where I pursued higher education, Black Christmas is a map of an old Toronto even though it is set in the fictional U.S. town of Bedford.

Starring Hollywood heavies such as John Saxon, Olivia Hussey, Andrea Martin and Margot Kidder, the organizers invited Art Hindle, who played the fur-clad Chris, to host the screening.  Hindle is a busy Canadian actor who has worked on shows like Beverly Hills 90210 and the award-winning Canadian series E.N.G.  He has a face that is easily recognizable, and it was great to see him in the flesh, wearing the actual fur coat monstrosity from the film that he kept after all these years as a souvenir.

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Art Hindle, second from the left, in his fur coat, with Rue Morgue’s Dave Alexander and Lee Howard with one of his Quiet Room Bears- The special edition Black Christmas Bear

young art

Art Hindle in 1974 as Chris in all his furry glory with Olivia Hussey as Jess in tow!

Before the movie started, Hindle answered some questions about his experience being in the film.  He said that he took the role of Chris to make money, plain and simple, because he had to support his family.  A chat with Margot Kidder convinced him to go to Los Angeles to find more work because Toronto at the time was not booming in the entertainment industry.  He also raved about late director Bob Clark’s “consummate craft of filmmaking”.  Hindle felt Clark was a genius and cited the classic teen sex comedy Porky’s as a technically advanced film, despite its subject matter; in fact, Hindle pointed out that the crew would often consult Clark beyond his directorial skills because he was so technically well-rounded.

As I watched the film on the big screen, I realized my favourite aspect of Black Christmas was the deliciously slow camera shots that either panned across rooms or came in for close-ups-the epitome of building tension-as well as the killer’s point of view camera work, which was apparently mounted on camera man Bert Dunk’s shoulder.  Along with the tension came the jarring score by Carl Zittrer.  Christmas carols surrounded by jangling discordant notes, eerie wind mixed with moans, and heavy breathing, all culminating when Jess’s high-strung boyfriend Peter (Keir Dullea) blows a gasket and destroys a perfectly good grand piano.  Those angry sounds resonated throughout the film as things got worse.

Another key element was the well-placed comedy.  Writer Roy Moore, along with script revisions from Clark, incorporated dark humour that punctuated the action so cleverly.  Among the most memorable moments were Kidder’s dry portrayal of the perpetually drunk Barb and the fellatio phone number scene, and Sergeant Nash’s (Doug McGrath) general oblivion.  Add the foreboding old school telephone ring which was central to the film and the truly creepy, rambling phone calls, and you have all the ingredients for an entertaining and well-crafted horror movie that has become a cornerstone of the horror genre.

To mark the anniversary, a limited edition poster was created.  Toronto based artist Ghoulish Gary Pullin, who has had a multitude of clients such as Rue Morgue Magazine, Dread Central, and Anchor Bay Entertainment just to name a few, and won for best movie poster for the documentary Why Horror? at the Toronto After Dark Film Festival, was invited to reinterpret the look of the Black Christmas movie poster.  I am not normally a poster type gal, but when I saw it, I needed to have one. Silk-screened and featuring metallic silver inks, it is truly a thing of beauty.  Pullin was actually on site to personally hand out prints and say hello!  He said he was humbled when he was asked to do the poster and was a genuinely nice guy and obviously extremely talented.

garypullin

The limited edition poster by Ghoulish Gary Pullin

My first experience with Black Christmas will always be remembered as a popcorn and pyjama movie with close friends, but I had a lot of fun seeing it loud and proud on its historic 40th anniversary.  It was great to sit with an audience as we laughed and shrieked at some old school horror.  Who knew a little film about a crank caller and murdered sorority girls would be such an industry trailblazer!  So glad I made it out to revisit the mystery of Billy, Agnes and the baby!

Merry Christmas, dear reader!

*I would like to dedicate this post to my childhood friends who loved this film as much as I did, and to their loved ones who recently left us.  Terry and Sharon lost their father Desmond on September 3rd, and Tessa and Suzette, Desmond’s nieces, lost their beloved friend Danny December 11th.  May they find solace in the memories and the good times with their friends and family, and here’s to a happier new year for us all.  

Pixie’s Xmas Picks!

Published December 24, 2013 by rmpixie

Wow!  I though I’d never be able to publish this post!  Talk about an ice storm!  Didn’t have power for almost 2 days, so things were touch and go.  And I don’t have to tell you that living on the 23rd floor of a highrise is no freaking fun in a power outage.

Anyhoo, I thought I’d post my top 5 go-to films for Christmas.  In my pixie brain, Christmas is a time of eating, giving and freaking out over holiday themed horror.  After all, isn’t Christmas also the time of creepy folklore, sci-fi and slashers too?

Number 5 for me is Troll Hunter (2010).  Not exactly a Christmas movie, but it’s set in winter, and these trolls eat Christians, so close enough.  Students attempt to make a documentary about bear poachers and unwittingly follow a secret service type troll hunter, who opens their eyes to real live trolls.  This Norwegian mockumentary was really well done, with tongue-in-cheek references to 3 Billy Goats Gruff, and dry delivery of troll facts by the troll hunter himself (Norwegian comedian Otto Jespersen).  There are also great CGI effects and the trolls themselves are quite a treat to see.  My favourite scene involves the students getting trapped in a troll cave with stinky, sleeping trolls.  Fun times!

Number 4 is the Dr. Who Christmas special The Snowmen (2012).  I’ve been a fan of the Doctor since I was a kid watching black and white episodes on T.V Ontario every Sunday night.  There’s been a lot of hoopla about the doctor of late with the changing of the guard so to speak, as the newest incarnation of the character will be revealed on Christmas Day.  Die hard fans everywhere have wholeheartedly supported the new seasons, and even though some of those plots were multi-layered and a bit frustrating, I loved The Snowmen special.  I think they had me when I saw snowmen with razor-sharp teeth.  How can anyone make something so benign as a snowman terrifying?  Well it worked!  After the Doctor loses Rory and Amy, he is thrown into a crazy plot that involves snarling snowmen, a “Great Intelligence”, a new companion by the way of governess Clara, Madame Vastra, Jenny, Strax  and a mad scientist.  Definitely worth a watch, and I can’t wait for this year’s Christmas special!

Number 3 has to be Gremlins (1984).  How deceiving is this movie?  What seems like an innocent Christmas caper film with a budding romance and cute fuzzy creatures becomes a war against sinister imps.  Mogwai’s, 80’s sweetheart Phoebe Cates as Kate, wholesomely handsome Zach Galligan as our hero Billy, a baby Corey Feldman, and one of the most iconic creatures of the era (besides E.T. whose creator, Steven Spielberg, had a hand in bringing Gremlins to life) combine to bring us one of the most cheesy, scary, gory and memorable Christmas movies out there.  I loved Billy’s dog, Barney, who had this “I told you so” look throughout the movie as they fought off the disgusting gremlins.  No one can replace the family dog with some freaky creature.  Just ask Barney!

Number 2 goes to Black Christmas (1974).  I don’t really need to say much about this Canadian classic, other than it’s Canadian.  It’s classic.  The cast is pretty cool:  Olivia Hussey, Margot Kidder, Andrea Martin, Art Hindle, John Saxon, and Kier Dullea. It’s described as one of the first slasher films.  It’s actually creepy and it reinforces the attic as a place of nightmares.  And also why my mom never let me live on campus. ‘Nuff said.

The top spot goes to my favourite Christmas movie of all time:  Rare Exports:  A Christmas Tale (2010).  I have already reviewed this holiday gem, so you can read about it here: https://rosemaryspixie.com/2012/12/24/mommy-santa-smells-funny/.  There’s nothing like a good old-fashioned Finnish Christmas Krampus story to make kids shiver in their boots.  Stealin’ kids and eatin’ ’em.  Doesn’t that spell holiday cheer to you?  It sure does for me.  Especially when Krampus gets all the bratty ones and makes them cry.  Ah, Christmas!

So there you have it.  My top 5 films for the horror-days.  Enjoy, and please, let me know what your faves are!  Have a Merry, scary Christmas and the best New Year from Rosemary’s Pixie!

Carolyn

Mommy, Santa smells funny…

Published December 24, 2012 by rmpixie

rareexports

Rare Exports: A Christmas Tale (2010 1hr 24 mins)

As we prepare for Christmas, with eggnog, presents, The Sound of Music (which I love), and a lovely Christmas tree, some of us forget the scary, age-old traditions and lore of this popular holiday.  In the Victorian era, telling ghost stories on Christmas Eve was common practice, and Christmas itself is rife with watered down pagan traditions of Yule and the Winter Solstice, as well as the many versions of Santa Claus.

One of these versions comes to us in Rare Exports:  A Christmas Tale.  The director, Jalmari Helander, expanded two incredibly popular short films he created in 2003 and 2005 that were originally gifts for clients.  This is my new Christmas fave, and I hope he comes out with more material soon, because this movie is pretty brilliant.  A word of warning:  if you plan on seeing this movie, please don’t watch the shorts beforehand.  They are huge spoilers to the feature film.

In rural Lapland, a hunter Rauno (Jorma Tommila) and his son Pietari (Onni Tommila), prepare for 2 things:   Christmas and the big round-up.  Each event has its problems.  Christmas is not exactly joyous for the duo as Pietari’s mother is no longer with them, and also because Pietari does his research and finds out Santa isn’t as nice as everyone thinks.  The big round-up has a lot riding on it as the local hunters need to capture as many reindeer as they can to make money from the meat.  This is their main source of income for the winter months.  Only problem is a mysterious excavation of the nearby mountain may have disrupted the amount of reindeer expected.  And Pietari thinks it has also unleashed that not-so-nice Santa.  He feels responsible because earlier, he and his friend cut a hole in a fence to the site so they could watch the workers blow up the mountain.  He is certain that nasty Santa came through and will terrorize the village.

When the hunters find a mass slaughter of reindeer, they blame the excavation for the hole in the fence and wolves for the slaughter, and head up the mountain to bust some heads.  What they find is an abandoned site, which leads to a series of bizarre events, started by Pietari’s father discovering a naked, filthy, blood-thirsty Santa-like man who is appeased by gingerbread and the smell of children. What they soon find is that Santa has some naked, nasty friends that start taking the village’s children and, um, heating implements.  Pietari feels terribly guilty and wants to put things right.  This kid is a mini Finnish Bruce Willis.  He dons his gay apparel of hockey helmet and padding, and his cherubic face is grimly set as he battles the Christmas baddies.  And the trio of hunters who want payback are pretty bad ass too, in a bumbling hilarious kind of way.  I can’t tell you anymore because it will give too much away.  I’ll only say that it reminds me of all the Brothers Grimm fairy tales and it focuses on the Finnish legend of Joulupikki.   I love that the setting is in Lapland, where the original Santa’s Village is located, and we get a taste of the O.G. Santa!  You must watch this film because it is, to me, the best action/horror/comedy Christmas movie I have seen in a long time.  Actually, I think it’s the only action/horror/comedy Christmas movie I have seen of its kind!

Have a Merry, Scary Christmas!!

Most Memorable Line:  When the excavation crew hot-foot it off the mountain, the foreman screams into his walkie “Don’t you understand, the “cargo” still has a pulse!”

Most Memorable Scene:  It’s actually the last set of scenes, but I can’t tell you about them.  My close second shows Pietari stapling the door to December 24th shut on his advent calendar.  Just making sure that Christmas doesn’t come and that bloodthirsty Santa doesn’t make it in. (This is also a clever clue to some later action!)

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