Damon Colquhoun

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Pixie Dust Project Gets a Reboot for the Web: An Update

Published May 1, 2015 by vfdpixie

PillJarPosterPortrait (1)

 

It has been an interesting journey for Damon Colquhoun and his Pixie Dust project.

Not so long ago, I interviewed him as he started an indiegogo campaign to raise funds for a fantasy film about a young girl, her mentally ill mother and a family secret.  While he didn’t make his goal, he did get accepted for a grant fellowship from NBPC 360, a funding initiative by the National Black Programming Consortium media arts organization that is committed to “educating, enlightening, empowering and engaging the American public.”  The Harlem based non-profit strives to “support diverse voices by developing, producing and distributing innovative media about the Black experience and by investing in visionary content makers.”  Since 1979, they have provided content for outlets like PBS and PBS.org among others, and invaluable mentoring for up and coming Black filmmakers.

With this opportunity presented, Colquhoun rewrote Pixie Dust as a 10-part web series including sample footage, and his treatment was the only entry with a script.  The project was almost cut due to its fantasy based subject matter since the committee focuses mainly on non-fiction.  Fortunately some well-known producers, namely Ron Simons who was behind Blue Caprice as well as Deniese Davis who produced the Misadventures of Awkward Black Girl, fought to keep Pixie Dust in the running.  After passing the muster at “Pitch Black”, the final pitch session where a group of seasoned producers and executives make their final choices, and with the help of cinematographer Arthur Jafa and director Terence Nance as mentors, Colquhoun will get between 50 and 100K for his project.  He is well on his way to a promising breakthrough for programming as the industry becomes more accepting of interesting and unique content for a growing niche market.

Damon Colquhoun pitching his ideas to top industry execs.

Damon Colquhoun pitching Pixie Dust to public television industry execs on April 23rd, 2015. Photo by Lindsey Seide (NBPC)

I am excited that a great organization has recognized the need for science fiction/fantasy in their roster, as many Black and other visible minority viewers crave content including people of colour in a genre that has been lacking in visible minority representation.  Congratulations to Damon as he embarks on his new route with Pixie Dust and I’m really looking forward to seeing the final series.  Stay tuned for more info!

Pixie Dust interview with writer/director Damon Colquhoun

Check out the NBPC site for more information on the organization and one of their series based on stories from the African Diaspora called AfroPop.tv.

 

Pixie’s Best of 2014 and 2015 Picks

Published December 30, 2014 by vfdpixie
Theatre13

Theatre 13…where all horror films should be seen…Wooooo!!

 

2014 in review made me a little nervous to be honest.  I feel like I didn’t see nearly enough films, or maybe it was because I feel like I didn’t review a lot this year?  Who knows, but I did come up with a few.  A lot of them are indie films, and a lot I saw on the festival circuit.  Some have been released and some you may have to search for on demand, but I recommend seeing them!  Click on each film title for my reviews or links to trailers, and if you have any to add, please comment!  I’d love to know what your favourites were!

Godzilla:  I don’t like remakes, but I really enjoyed this one.  Big ol’ monsters smashing things made up for a so-so storyline, and it was a fun blockbuster event for me.

Maleficent:  Another blockbuster movie with one of the best makeup looks.  I couldn’t take my eyes off of Angelina Jolie’s beautifully altered face, and the effects were great.

Guardians of the Galaxy:  So much fun. Just so much fun.

Lyle:  This 65 minute film is pretty incredible.  Shown free of charge for a brief time to raise funds for his next project, writer and director Stewart Thorndike serves up a modern version of a Rosemary’s Baby-like suspense horror that is deeply moving.  A lesbian couple move into a brownstone with their baby Lyle, and mysterious neighbours coupled with a family tragedy gets the paranoia going full speed ahead.  Gaby Hoffmann, the current indie film darling of the moment, shows why she is in such demand.  Her portrayal of a mother on the brink is memorable, and I loved the haunting score.  You will have to follow the film’s Facebook page to find out when and where you can see it, as it is currently not available online.

Wyrmwood:  The zombie movie for action movie fans.  It is going to be released by IFC on February 13, 2015, so keep your eye out for it!

Predestination:  A wonderful spiralling tale of time travel and love.  This has a limited release date of January 9th, 2015.  Find it!

Housebound:  I’m not a comedy horror movie gal, but this one is superb!  Great pacing and a great cast.  Seems like it was released on DVD this past November, so again, find it!

Oculus:  a slow burner with a cool story, and one I will be adding to my collection.  Done by Mike Flanagan, the man behind Absentia, which I also loved for its unique story.

Two Canadian films I recently saw were Black Mountain Side and Berkshire County.  Both take on classic horror fare and make it their own.  Berkshire County seems to have an April 2015 limited release date, and Black Mountain Side will hopefully come out in 2015 as well.

Another Canadian gem was Hellmouth.  Starring Stephen McHattie, one of my favourite Canadian actors (whom I finally met this year! Yay!), this surreal quest for redemption will take you away with its visuals and retro feel.

The Babadook:  One of the most talked about films that actually lived up to the hype.  Tense, scary and dark, this is a must see for all horror fans out there.

Only Lovers Left Alive:  Starring Tilda Swinton and Tom Hiddleston, this beautiful love story about lonely vampires will make you ponder your existence and purpose.

 

What will 2015 bring us?  Apparently a ton of sequels and remakes (big surprise!), but I’ve sifted through the fluff to find a few that seem to have a bite that is just as good as the bark!

First up is It Follows.  This film has made the festival rounds and is getting quite the buzz as being a refreshingly terrifying addition to the tormented teen horror roster.  After a steamy date, a girl is now being followed by a creepy unknown.  Love the Carpenter-esque score.  I will definitely see this one in March when it comes out in wide release!

Z for Zachariah has my interest because I still have my dog-eared copy of the book I loved as a teen.  Chiwetel Ejiofor stars and I hope they do the story of post-apocalyptic survival justice.

Chappie is about a robot with heart, intelligence and innocence.  Directed by District 9‘s Neill Blomkamp and starring Hugh Jackman, Dev Patel, and Sharlto Copley, it is sure to be one of the bigger films with the great special effects that Blomkamp is known for.

Directed by Hostel and Hemlock Grove‘s Eli Roth, Knock Knock is a “horror/thriller” about a man terrorized by two gorgeous girls.  Not really sure about this one, but Keanu Reeves is in it.  All I can say is:  Don’t. Hurt. My. Man.

Insidious 3 and Sinister 2 are on their way.  I feel like I need to see them because I was there from the start.  Also from the producers of  the Insidious, Paranormal Activity and Sinister series comes another Amityville movie, which I also have to see because, again, I was there from the start.  In this case, Jennifer Jason Leigh stars in Amityville The Awakening, so there will be guaranteed intensity with her performance.

The aforementioned Mike Flanagan is coming out with a new one called Somnia, about a kid whose nightmares become real.  He is known for creepy atmosphere, so I expect something great.

I need to see Jupiter Ascending just for Channing Tatum in those ears, and Mad Max Fury Road because it looks like totally insane and brutal fun.

I would really, really love to see Pixie Dust realized in 2015!  Check out my interview with writer and director Damon Colquhoun and donate to get it made!

Lastly, Guillermo del Toro’s new gothic horror Crimson Peak about tragedy and a haunted house will probably be a good bet.  Also, Charlie Hunnam and Tom Hiddleston are in this.  Yup.  That will get my bum in a seat.

So there you have it.  A 2014 wrap-up and my 2015 picks all in one long-winded package!  Wishing you all a wonderful new year that brings us all good, great, no-FANTASTIC luck in life, love and health!

 

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Carolyn

 

 

 

Pixie Dust: A Journey Into The Fantastic With Director Damon Colquhoun

Published December 23, 2014 by vfdpixie

PillJarPosterPortrait

There is a lot of great talent within the indie film scene, and social media is making that more than evident.  All it takes is a follow here, a tweet there, and you are exposed to writers and directors who have a unique vision.  One such person is Damon Colquhoun.  Based in Harlem, New York, this photographer, writer and filmmaker used his multi-faceted talents to create a short film which was a 2013 finalist in Ron Howard’s Project Imagint10n, based on his winning photo “Manhattan’s Many Moons”.  The film, entitled Transporter, is about a young man Darien, whose family is involve in shady, criminal activity.  Darien has a unique ability that is doomed to be exploited by them, unless he can escape.  This 10 minute film is a dark, grim tale of a young man trying to leave his harsh reality behind.  I was really intrigued by this short, which will now be a feature film, and I loved the style and tone of it, so of course when Colquhoun let me know about his next project, Pixie Dust, he got my pixie attention.

Pixie Dust is an urban fantasy about a powerful 13-year-old girl named Faye and her mentally ill mother. Faye’s mother suffers from a mental illness which sends her into violent spells. She refuses to take her medication, forcing Faye to find a way to get her back on track. Through Faye’s journey, she discovers a magical family secret which could help her save her mother, but it could also kill Faye.”   (Excerpt from http://www.damoncolquhoun.com and the Indiegogo campaign currently underway to fund the project, but more on that later…)

I wanted to find out about the mind behind these dark and fantastical stories, so I got a chance to ask him a few questions about his life as an artist, the project and his process.

 

1.  You started out with an art degree, and through your artistic journey, made a stop in the film world.  What got you interested in film?
 
I actually started as an actor. I studied at a pretty serious acting conservatory, and was in few indie films. During my training I kept getting into trouble because I had this urge to control staging, and other actors’ performances. I would get really frustrated if one of my classmates didn’t deliver what I thought they were capable of. Finally, one of my instructors told me I might want to consider directing.
 
I directed a couple of things, got fed up with the no budget process and went back to school. I studied art because I wanted a career in VFX [visual effects]. I figured, learning VFX would allow me to make films on my own, but once I got a job in the industry, the 9-5 hustle took over. Plus I really didn’t care for the tediousness of the work.
 
I went back to directing because all-in-all it’s the right place for someone like me: a jack-of-all trades who’s a control freak with stories to tell and a clear vision through which to present them. Plus, new technology allowed me to make movies the way I wanted to.
 
2.  Tell us a little about the melding of fairy and fay lore with the story of Pixie Dust.
 
I wanted to paint a picture of a modern urban fairy. Some fairy traits are incorporated in an anecdotal way to tease those who know fairy lore. At the start of the film, it’s not obvious that Faye is a fairy, but, for those in the know, there are hints. The most obvious hint is her name, then there’s the fact that Faye doesn’t care for salt. Their landlord is going to wear her sweater inside out as a way to protect herself when delivering the bad news to Faye.
 
Fairies are nature spirits, so Faye is there to restore balance within nature’s black sheep, humans, hence her ability to see people’s inner beast (a metaphor for [their] psychological issues).
 
I also wanted to subvert the popular image of pixie dust. Faye ends up finding her own kind of pixie dust in the form of her mother’s medication, but medication is a double-edged sword: they have side effects. A fairy can be both “good” and “bad,” the viewers have to ask themselves, are Faye’s actions ultimately good or bad?
 
3.  Your cast for Pixie Dust looks amazing! (Mia Guzman as Faye; Rocio Mendez as her mother; and Mary Looram from Orange Is The New Black as the Landlord) How influenced are you by diversity, and in light of the recent Chris Rock essay, how difficult is it to stay true to your community and how it is represented within the independent film world?
 
Thank you! Getting your hands on a great cast is tough. So, yeah, I got lucky.
 
In terms of diversity, it comes organically for me. Growing up in NYC’s Upper West Side means that my world was full of diversity, therefore, diversity is essential to an honest retelling of my experiences. It’s the story that dictates the specific variety of diversity. In a film like Transporter, diversity meant a cast that was African-American, Haitian, Nigerian, and Israeli.
 
Filmmakers have to be true to their stories. Color is not the important thing, ethnicity is. Americans are products of their ethnic backgrounds, which are steeped in history and culture, which create a distinct POV. But look, if you’re a filmmaker who grew up around nothing but middle-American White people, then please don’t add a token Black person to your film. Instead, make certain that you look deep enough into your world to reflect in your film the cultural isolation you were raised in and what effect that had on you and therefore your story.
 
 
4.  With your short film Transporter, your main character Darien is an introvert and lives in his head.  I wondered at times how mentally fit he was.  In Pixie Dust, the film focuses Faye and her mother’s mental illness.  I can see a thread with both films that deal with mental illness using a fantasy backdrop, making it easy to open the subject up to discussion.  Was that your intention in order to address this seemingly still taboo subject in the African-American community?
 
Believe it or not, I had no intention of focusing on the theme of mental illness in the way I have, but it’s a personal topic to me, so it happened organically.
 
I was shot when I was 8 years old. The bullet fell out of the sky, hit my leg, just missing my head, ripping a chunk out of my thigh. I didn’t tell my parents about it, just my sister, so the only treatment I got was a gauze pad and some ointment. From that point on, it felt like death could just descend upon me, seemingly out of nowhere. Many years later I was diagnosed with an anxiety disorder and OCD. Through therapy, I’ve learned to manage it all pretty well.
 
Once I came to understand the symptoms of anxiety-based mental illnesses, I began to see it everywhere in my Harlem neighborhood: it’s a look people have in their eyes; it’s in their breathing pattern; it’s in the way they communicate or fail to communicate. It’s wild. So yeah, I guess as a filmmaker, mental illness is my raison d’être.
 
5.  Tell us a bit about Faye’s character and where she draws her strength.
 
She’s actually modeled after my wife who is 5’, 100 lbs, but grew up in Brownsville, Brooklyn. The schoolyard chant [in those days] went something like this:
 
Come from the Ville
Know I’m chill
Picture me runnin
Must be buggin
Walk up in your face
Beat you down and walk away
 
So yeah, Faye is a fighter. She’s uncomfortable showing emotion, but is full of love. Unfortunately, her mother’s constant need for care absorbs most of it. Faye [is also] a naturally attractive girl – the type who attracts boys without trying to, or wanting to. The boy-girl dynamic is still foreign to her – she’s got a lot on her plate. The fact that the boys like her means that a lot of girls don’t like her. Faye has to prove her toughness once every couple of school years.           
 
Faye draws her strength from her grandmother. Her grandmother was a fairy as well. There’s a confidence that comes from knowing that you have one more weapon than everybody else. For some people, it’s brains, for some it’s brawn. For Faye’s grandmother, it was brains and magical brawn – likewise for Faye.
 
6.  Do you find you have more freedom for storytelling in the fantasy genre?
I would say so. Reality is a bitch! It’s often hard to digest. So trying to get an audience to explore a difficult subject head on is often asking too much of people. The things you explore and say in a fantasy film can certainly be more overt. At the same time, it’s easier to lose the subtleties – the humanity – when you make an all out fantasy film. That’s why I prefer something closer to a hybrid, like Urban Fantasies.
 
 
7.  You mention films like Take Shelter (which I loved), and Melancholia having a similar vibe to Pixie Dust.  What are some your favorite sci-fi, fantasy or horror films?
As I mention earlier, I like hybrids. There’s nothing like watching human beings interacting without reservation. At the same time, there’s nothing like watching a human being fly!
Here is his list (which is pretty darn great!):
Sci-Fi:
La Jetée – Delicatessen – Children of Men – Battle Royal – Stalker – 12 Monkeys – Alien – Empire Strikes Back
 
Fantasy:
Tin Drum – Blade – Beasts of the Southern Wild – Pan’s Labyrinth – Brotherhood of the Wolf – TLOTR Trilogy (epic) – The Dark Knight – The Wiz
 
Horror:
Let The Right One In – The Birds – Rosemary’s Baby – The Shining – The Texas Chainsaw Massacre – Suicide Club – Halloween
 
  

Now that we know a little about the film and the mind behind it, I hope the insider info makes you want to see it as much as I do!  This project is in pre-production, with an Indiegogo campaign that will close on January 2, 2015.  $15,000 is needed to create Pixie Dust, with majority of the money going to actually paying cast and crew.

Let the holiday spirit inspire you!  If you can make a contribution, please do, and if you’re not sure, go to the link below where you get a chance to read his great script to help make your decision.  How unique is that?!

I think it is important that we support independent filmmakers who make genre films that defy cookie cutter cinema these days.

Make your contributions here:

http://igg.me/at/pixiedustfilm/x/3950522

and check out all the in-depth info about the production!

Thanks to Damon for taking the time to answer a few questions so candidly, and I can’t wait to see the finished film.

Good luck!

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