Hellmouth

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Horror on National Canadian Film Day

Published April 29, 2015 by vfdpixie

Today is National Canadian Film Day, where we celebrate Canadian film and the talented people who create them.  Known for our legendary politeness, the letter “u” in some of our words, and hockey (not true for me, although I’d rather go to a hockey game than a basketball game any day-gasp!!), we are also pretty handy with a moving picture camera.

Some of those moving pictures involve gallons of blood and gore.  Canadian horror has a strong foothold in Movieland, with a lot of them becoming classics, and I am proud to say that there are way too many to include here, so I will focus on a few of my favourites (see, there’s that pesky “u”).

 

One of my favourite directors is David Cronenberg.  He has the best recipe for weirdness and mood, and coupled with his talent and incredible style, creates horror that will make you cringe and marvel at the grotesque beauty he shows you.  It’s hard to choose, but the film that creeps me out every time is Dead Ringers.  This twisted story of twin gynecologists Elliot and Beverly Mantle and their deception of a troubled woman makes me shiver.  The bizarre instruments twin Beverly creates are a nightmare for any woman that’s been laid out and vulnerable in a doctor’s stirrups.

 

 

 

 

Plain and simple, Martyrs will scar you forever.  This revenge film with a twist leaves you reeling as you watch Lucie and Anna struggle for the truth, and when they do, it leads to gruesome and deadly results.

 

 

 

 

Silent Retreat has been on the Canadian horror radar since it’s premiere at the Toronto After Dark Film Festival in 2013.  One of the more unique films out there, it follows Janey as she is forced to stay at a retreat for wayward girls that becomes truly sinister.

 

 

Director Tricia Lee is hard at work on her next feature, One Drop, expected to be released in late 2016.  It is another female driven horror, where a single mother wakes up to find herself pregnant, surrounded by dead bodies and “something not-quite-human” in the basement of a medical facility.  Check out the indigogo campaign to contribute to what sounds like another unique and thrilling Canadian horror story.

 

 

 

Of Unknown Origin is straight up cheesy horror, but Peter Weller does a great job trying to kick a giant rat’s ass.  Definitely a late night treasure.

 

 

 

 

Of course, I have to mention the Soska Twins.  Jen and Sylvia have become horror darlings because they create gory films like Dead Hooker in a Trunk that become fan favourites, and mine is probably American Mary.  Stylish and dark, this revenge flick follows a medical student who provides back room body modification for extra money.  After a horrible violation, she creates her own unique way of punishing those that cross her.

 

 

 

 

For pure weirdness and the special effects, check out Thanatomorphose.  It is body horror at its best (or worst, you’ll have to decide), and it is truly a must see, but don’t eat dinner while watching.

 

 

 

Check out Ejecta for a cool alien/conspiracy/found footage movie.  Written by Canadian author Tony Burgess, who also wrote and (acted in) Hellmouth, Septic Man, and Pontypool, it is dark, jarring and has some really mean aliens.

 

 

 

 

Just recently I went to a screening of Late Night Double Feature.  For a low-budget film, it is full of fun and schlock and most importantly, homegrown!

 

 

 

Lastly, a new film in production called The Void looks pretty amazing.  The creators Steven Kostanski and Jeremy Gillespie are striving for great practical effects, and the trailer is really eerie with all kinds of gory goodness!  Check out their indiegogo campaign for more info and a chance to contribute.

 

 

 

Let me know what some of your favourite Canadian horror films are!

 

 

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Pixie’s Best of 2014 and 2015 Picks

Published December 30, 2014 by vfdpixie
Theatre13

Theatre 13…where all horror films should be seen…Wooooo!!

 

2014 in review made me a little nervous to be honest.  I feel like I didn’t see nearly enough films, or maybe it was because I feel like I didn’t review a lot this year?  Who knows, but I did come up with a few.  A lot of them are indie films, and a lot I saw on the festival circuit.  Some have been released and some you may have to search for on demand, but I recommend seeing them!  Click on each film title for my reviews or links to trailers, and if you have any to add, please comment!  I’d love to know what your favourites were!

Godzilla:  I don’t like remakes, but I really enjoyed this one.  Big ol’ monsters smashing things made up for a so-so storyline, and it was a fun blockbuster event for me.

Maleficent:  Another blockbuster movie with one of the best makeup looks.  I couldn’t take my eyes off of Angelina Jolie’s beautifully altered face, and the effects were great.

Guardians of the Galaxy:  So much fun. Just so much fun.

Lyle:  This 65 minute film is pretty incredible.  Shown free of charge for a brief time to raise funds for his next project, writer and director Stewart Thorndike serves up a modern version of a Rosemary’s Baby-like suspense horror that is deeply moving.  A lesbian couple move into a brownstone with their baby Lyle, and mysterious neighbours coupled with a family tragedy gets the paranoia going full speed ahead.  Gaby Hoffmann, the current indie film darling of the moment, shows why she is in such demand.  Her portrayal of a mother on the brink is memorable, and I loved the haunting score.  You will have to follow the film’s Facebook page to find out when and where you can see it, as it is currently not available online.

Wyrmwood:  The zombie movie for action movie fans.  It is going to be released by IFC on February 13, 2015, so keep your eye out for it!

Predestination:  A wonderful spiralling tale of time travel and love.  This has a limited release date of January 9th, 2015.  Find it!

Housebound:  I’m not a comedy horror movie gal, but this one is superb!  Great pacing and a great cast.  Seems like it was released on DVD this past November, so again, find it!

Oculus:  a slow burner with a cool story, and one I will be adding to my collection.  Done by Mike Flanagan, the man behind Absentia, which I also loved for its unique story.

Two Canadian films I recently saw were Black Mountain Side and Berkshire County.  Both take on classic horror fare and make it their own.  Berkshire County seems to have an April 2015 limited release date, and Black Mountain Side will hopefully come out in 2015 as well.

Another Canadian gem was Hellmouth.  Starring Stephen McHattie, one of my favourite Canadian actors (whom I finally met this year! Yay!), this surreal quest for redemption will take you away with its visuals and retro feel.

The Babadook:  One of the most talked about films that actually lived up to the hype.  Tense, scary and dark, this is a must see for all horror fans out there.

Only Lovers Left Alive:  Starring Tilda Swinton and Tom Hiddleston, this beautiful love story about lonely vampires will make you ponder your existence and purpose.

 

What will 2015 bring us?  Apparently a ton of sequels and remakes (big surprise!), but I’ve sifted through the fluff to find a few that seem to have a bite that is just as good as the bark!

First up is It Follows.  This film has made the festival rounds and is getting quite the buzz as being a refreshingly terrifying addition to the tormented teen horror roster.  After a steamy date, a girl is now being followed by a creepy unknown.  Love the Carpenter-esque score.  I will definitely see this one in March when it comes out in wide release!

Z for Zachariah has my interest because I still have my dog-eared copy of the book I loved as a teen.  Chiwetel Ejiofor stars and I hope they do the story of post-apocalyptic survival justice.

Chappie is about a robot with heart, intelligence and innocence.  Directed by District 9‘s Neill Blomkamp and starring Hugh Jackman, Dev Patel, and Sharlto Copley, it is sure to be one of the bigger films with the great special effects that Blomkamp is known for.

Directed by Hostel and Hemlock Grove‘s Eli Roth, Knock Knock is a “horror/thriller” about a man terrorized by two gorgeous girls.  Not really sure about this one, but Keanu Reeves is in it.  All I can say is:  Don’t. Hurt. My. Man.

Insidious 3 and Sinister 2 are on their way.  I feel like I need to see them because I was there from the start.  Also from the producers of  the Insidious, Paranormal Activity and Sinister series comes another Amityville movie, which I also have to see because, again, I was there from the start.  In this case, Jennifer Jason Leigh stars in Amityville The Awakening, so there will be guaranteed intensity with her performance.

The aforementioned Mike Flanagan is coming out with a new one called Somnia, about a kid whose nightmares become real.  He is known for creepy atmosphere, so I expect something great.

I need to see Jupiter Ascending just for Channing Tatum in those ears, and Mad Max Fury Road because it looks like totally insane and brutal fun.

I would really, really love to see Pixie Dust realized in 2015!  Check out my interview with writer and director Damon Colquhoun and donate to get it made!

Lastly, Guillermo del Toro’s new gothic horror Crimson Peak about tragedy and a haunted house will probably be a good bet.  Also, Charlie Hunnam and Tom Hiddleston are in this.  Yup.  That will get my bum in a seat.

So there you have it.  A 2014 wrap-up and my 2015 picks all in one long-winded package!  Wishing you all a wonderful new year that brings us all good, great, no-FANTASTIC luck in life, love and health!

 

wpid-20141230_1657142.jpg.jpeg

Carolyn

 

 

 

Hellmouth TADFF 2014

Published October 27, 2014 by vfdpixie

hellmouth

Hellmouth (2014, 1 hr 35 mins)

 

The trailer for Hellmouth was exciting.  It had a definite retro feel, and there was a campiness that lead me to believe that there were some laughs to be had.  What I came to realize is that it is an unexpectedly beautiful surrealist horror; a swirling combination of both modern and classic influences.

Charlie Baker is retiring.  After many years of working as a grave-digger and tending to a bleak, solitary environment, he is going to pack up his bags and head to Miami where he can actually talk to people, and not be tormented by the local kids.  He is also ill, a husk of a man, battling an episodic brain disorder that will eventually kill him.  Definitely time served, but an unexpected visit from Mr. Whinny (Boyd Banks), his supervisor, presents a 6 month, non-negotiable extension that crushes Charlie to the core.  He must travel to the Forks of Heaven Cemetery, possibly the creepiest final resting place ever, where his grave tending duties take a nightmarish turn.  His journey becomes one of life-changing proportions, and with the help of a mysterious woman Fay, he will battle demons, beasties, convicts and his own limitations to save himself and the woman he grows to love.

I was completely drawn in by the visuals of this film.  The effects created by Nick Flook were really beautiful; black and white with pops of colour that to me, indicated glimmers of hope in such a bleak world.  During the Q & A after the film, director John Geddes was asked about whether Sin City was an influence.  He definitely acknowledged the influence, but wanted Hellmouth to have more of an Ed Wood feel.  I saw the obvious similarities with the Frank Miller film, but you will quickly realize that aside from being technically and visually similar, this film’s story makes you forget any Sin City reference.  Other references you may notice are of course Dante’s Inferno as well as a touch of Samuel Beckett’s absurdism and Lynchian surrealism that created a great visual and cerebral package.

The performances were fantastic.  As you may know, I love Stephen McHattie.  He can do no wrong in my eyes.  His portrayal of a broken and weary Charlie was spot on; a perfect conduit for this character which was a custom fit.  I will echo the sentiment from the crew that without Mr. McHattie, there would be no film.  Siobhan Murphy was gorgeous as the mysterious femme fatale and guide for Charlie, and it was great to see Canadian indie directing great Bruce McDonald play a cameo role in what was probably my favourite part of the film in which creepy detective Cliff Ryan (Mark Gibson) recounts the fates of doomed cemetery staff before Charlie.

Writer Tony Burgess, who also wrote Pontypool and Septic Man, was also at the screening.  Always entertaining, he told the audience that he at first balked at the story Geddes brought to him.  The world as a cemetery?  He thought it was “bat shit crazy”, but committed to it anyway.  What looked crazy on paper ended up being a great story, examining one man’s relationship with his mortality and love to become an unlikely, but worthy hero.  This team of Geddes, Burgess, McHattie et al can stay together if they are going to bring us thoughtful and beautiful films like Hellmouth.  Treat yourself and go see this weird and exciting marriage of retro-stylized horror and technology.

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