Kelly Michael Stewart

All posts tagged Kelly Michael Stewart

The Blood in the Snow Canadian Film Festival: Why Toronto Horror Fans Need to Go

Published November 8, 2016 by vfdpixie

bits2016_horz_banner

 

This November 24th-27th, the Blood in the Snow Canadian Film Festival kicks off it’s 5th year. Why is this important? Because it’s Toronto’s only festival dedicated to Canadian genre film. And why is that important? Well, Canadian film, while it’s gaining in popularity, generally doesn’t get a lot of focus, often being overshadowed by big ticket blockbusters. Independent genre film gets even less attention. It’s difficult to see Canadian genre film on the big screen, and that’s where the Blood in the Snow comes in. Festival director Kelly Michael Stewart created the event to showcase Canadian horror, genre and underground film to make sure talented filmmakers get a chance to show their original films in a theatre to genre-loving fans.

This year there will be 33 films which is a record number for the festival. With 9 feature films and 24 shorts, you’ll find everything from documentary (another first for BITS!) to the supernatural; sci-fi and silent film to grindhouse (see below for some of titles playing). All of the films will either be a Toronto or world premiere, making the festival the first stop for anyone looking to see fresh or buzzed-about films that you may not see in wide distribution.

This slideshow requires JavaScript.

The festival will also be held in a new venue. After several years at the beloved Carlton Cinema, there was a need to accommodate more people after sell out and encore screenings pushed the theatre to capacity. This can now happen at the Cineplex Cinemas-Yonge Dundas with more available seating as well as the same convenience of transit at the theatre’s doorstep.

BITS is there for horror fans of course, but it also serves the very people they showcase. Industry panels on Friday November 25th will bring you experts in the legal, distribution and funding areas of the film industry who will share valuable advice. It will be a day of insight that everyone who is interested in or already involved in the film industry needs to attend. Separate industry passes are available for the panels and will also get you into 3 screenings of your choice.

As a former pass holder (and now BITS programmer), I’ve met the most interesting people who have become friends and colleagues. There will be a chance meet with other festival attendees and staff, plus cast and crew from the films at The Duke’s Refresher & Bar, a nearby pub that will host the 4 nights of schmoozing after screenings.

So why should Toronto genre fans go to the Blood in the Snow Canadian Film Festival? Because you are a genre-loving, discerning bunch celebrating indie horror and genre films by attending screenings and spreading the word. We live in Hollywood North after all, and we need  to make a place for indie film by supporting our local talent.

You can get passes or individual tickets.  The full festival passes come with some great perks (i.e. a fantastic goody bag), and tickets make it easy for you to pick and choose what you want to see, even though you should see every film at the festival. So what are you waiting for?! Get your tickets before they sell out!

Follow this link for your one-stop shop to passes and tickets: http://bloodinthesnow.ca/BITS2016.html

or visit The Cineplex website here (when you go to purchase, you must enter the location “Yonge Dundas”):  https://goo.gl/yy9cTH

Pixie’s Year in Review: Turning 4 with Ghouls, Growth and Good Times!

Published October 13, 2016 by vfdpixie

Looks like it’s that time of year again! With Halloween just around the corner, and since I’ll be a busy bee the next week and a half, I’m posting an early shout-out for a couple of anniversaries I’ll be celebrating this year.

Rosemary’s Pixie turns 4 this October 17th. I’ve toughed it out for another year, growing as both a writer and film reviewer.  There were fewer reviews on the blog this time around due to some other writing projects I’ve been up to, as well as my contributions to Cinema Axis, that you can check out here.  Browse the site for a ton of other reviews on almost every film genre out there by the always prolific founder, Courtney Small.

There have been some really big highlights of the past year as well:

Blood in the Snow Canadian Film Festival a.k.a. BITS…and me!

One of the biggest changes for me is that I can now call myself a Blood in the Snow Canadian Film Festival programmer. Who knew?!!! I had to take a moment when Kelly Michael Stewart, the festival director offered me the position. I was surprised but SO stoked and honoured because I really love the BITS fest. It’s a great way to showcase fantastic talent and Canadian genre film, meet filmmakers, cast and crew, and it’s one of the few festivals out there that focuses on the business side of things as well. I feel so lucky to be a part of the BITS team.  They’re a group of great people who are just as passionate about film as I am.  All the screenings will be at Cineplex Yonge/Dundas Cinemas, which is a bigger venue this year.   This Saturday October 15th  at noon, we’ll be announcing the BITS lineup and schedule at Horror-Rama in Toronto. Come on out and say hi, enjoy all the fun at Horror-Rama, and get your passes for what’s going to be a great festival this year.

I also got a chance to interview Michael Dickson, a great Canadian actor who starred in one of the fan favourites at BITS 2014, Black Mountain Side.  He was a great interview, and the last time he was in Toronto, we caught up and talked about the film business, The West Coast and his brain-freeze cute dog.

Meeting Lizzie

I wrote an article on Adelaide Norris, a character in the 80’s indie feminist sci-fi classic, Born In Flames, for the website http://www.graveyardshiftsisters.com (run by my girl Ashlee Blackwell) last year. Little did I know that the director herself, Lizzie Borden, would find that article, and that she would be coming to Toronto for a free screening of the restored film at TIFF Bell Lightbox Theatre this past July. She contacted me out of the blue and it took me a minute to realize it was THE director of a film that moved me so much. Several emails and a few weeks later, I was sitting at an intimate dinner with Lizzie, myself and 3 other women who have supported or screened her film in the past, courtesy of TIFF and Chris Kennedy, programmer for The Free Screen. Lizzie talked about her experiences in the film industry, and wanted to know more about about us, the people who felt so strongly about her film. It was a night that I will always remember because Lizzie Borden is one of the warmest, loveliest people in the industry that I have ever met. (My apologies for no photos.  We were so engrossed in conversation that not one person pulled out their phone for a picture.  How old school is that?)

 

I’m a Published Author!

 

Women in Horror Annual (WHA, 2016)

The first Women in Horror Annual came out in February, including fiction and non-fiction works from women horror writers. I was lucky to be a part of this group of great writers and I had a book signing in July with one of the editors, Rachel Katz. It was a great night, with friends, family and fellow horror lovers coming out to support the book. There will be another signing coming soon at the end of the month to celebrate Halloween, so stay tuned for details. Can’t make the signing? Then pick up a copy here! I also contributed to The Encyclopedia of Japanese Horror Films. That came out a few months ago, and I’m proud to say that I’m a part of an academic tome on horror.

japanese-horror-ency

The Encyclopedia of Japanese Horror Films (Rowman and Littlefield, 2016)

 

Last but definitely not least, is the Toronto After Dark Film Festival that starts today! My top picks are :  Under the Shadow, Train to Busan, As The Gods Will, Creepy, Antibirth, The Stakelander and The Void. You can read about all of the films here.  I’m as excited as ever, but more so because I’m celebrating the second anniversary I mentioned earlier.  It will be about 2 years since I met the love of my life at After Dark. I admit I had my eye on him for a few years (yes, years. I’m a chicken when it comes to approaching men), so it took a lot of courage to talk to him. Luckily, he was as sweet as pie (and still is!).  We’re both diehard fans of Toronto After Dark, so after some time as acquaintances, then friends, we finally realized it was a match made in horror. Even though we’re both older, slow and steady does win the race!

Well, that’s my year in review.  As always, I thank you, dear reader, for checking in with me as I write about films, books, and TV that I love. It’s been a great journey filled with many surprises, and one that I plan to continue with you because it’s truly been a good time!

The 2015 Canadian Film Fest: Late Night Double Feature

Published March 27, 2015 by vfdpixie

lndf

Late Night Double Feature (2014, 89 mins.)

I like a good horror anthology.  Where else can you get more bang for your buck, more gore, and more monsters all in one horror package?  Films from my horror education like The Trilogy of Terror (1975) and the golden prize in my movie collection The Monster Club (1981) provided more campy scares than I could ever ask for, and while some were cheesier than others, they all gave me a sense of joy when I found them on T.V. in the wee hours.  The latest addition to this genre, embracing the iconic old-school cable show, is Late Night Double Feature, the brain child of The Blood in the Snow Festival founder Kelly Michael Stewart that had its Canadian premiere at the 2015 Canadian Film Fest last night.

Directed by Navin Ramaswaran, Dr. Nasty’s Cavalcade of Horror is just that.  Amidst shoddy sets and props, Dr. Nasty (Brian Scott Carleton) is a “mad scientist” late night host with a penchant for booze and pretty young interns.  His co-host, Nurse Nasty (Jamie Elizabeth Sampson), is an aspiring actress and tired of his antics that go un-punished by the show’s indifferent director and her boyfriend, Shawn (Mike Donis). As the studio drama goes on, Dr. Nasty shows two films, Dinner for Monsters and Slit, giving us 3 stories of horror in total, complete with some goofy laughs, a bit of shock, and schlocky fun.

It’s difficult to do tongue-in-cheek without it going the route of overly silly, and Late Night Double Feature actually delivers because of some great performances and good control of the mood and audience reaction.  With Dinner for Monsters, directed by Zachary Ramelan, a young chef (Nick Smyth) struggling to keep his dead father’s restaurant afloat gets a chance to cook for a private party that ends up having a gruesome main course.  The comedy was groan-inducing but made you laugh all the same, using lots of camp and a B-movie reveal that hit all the right notes.  Jeff Sinasac as the wealthy party host Vincent Dubuc has a stage actor’s presence, and brought a classic maniac vibe to the mix.

In Slit, Brad (Colin Price) is a cutter for hire.  He services clients who like to be strategically sliced up for pleasure.  He is void of feeling, creepy and likes to keep his client list private.  When he gets a new referral in Brii (Caleigh Le Grand), he reluctantly agrees to take her on, only to find she has lost her mind.  Escaping her attack, he rushes out, losing his little black client book that has his address in it; a perfect opportunity for Brii to find him and exact revenge.  I give Slit marks for intensity and a great villain in Brii.  I actually want to see more of her exploits and hope there is something in the works for the future.  Directed by Torin Langen, Slit reminds you that this is in fact a horror movie, and we shouldn’t get too comfortable with laughing, even though there is some comic relief with the kooky homeless guy played by Kirk Haviland.  It leaves you hanging, wondering where the rest of the film will go, which is exactly what creator Stewart wanted to do.  The flow eases the viewer out of the shock of Slit and back into the melodrama with Nurse Nasty, her predicament, and its bloody, climatic conclusion.

After the screening, the entire (read gigantic) cast and crew came up for a quick Q & A.  We learned that this production was realized by their determination and the good will of many friends and family.  Set in and around Toronto, and despite shooting delays and a flood, the film was shot in 15 days, and the idea that was spawned in 2013 came to fruition due to careful pre and post-production.

It looks like the cast and crew really enjoyed themselves making a true B-movie winner, and if you get a chance to see it, you’ll have a good laugh.  Honourable mention goes to the movie trailers of Night Klown and Encephatopithecus which were hilarious; and the moody, dark opening short, Burn the Tapes by Nick and Brit Kewin.  It was a fun night and I am glad I was able to check it out.  You can follow the film on Twitter for updates:  @LATENIGHTDOUBLE; and the Canadian Film Fest wraps up tonight, so check out the final films here.

View From the Dark

Reviews and essays on genre film from a WOC perspective

Academic Hoodoo

a research blog on Africana Religions

Eden Royce

Writer of Southern Gothic speculative fiction

Cinema Axis

Where All Things Film Converge

timwburke

burke –verb (used with object), burked, burk·ing. to murder, as by suffocation, so as to sell the corpse to medical science

The Daily Post

The Art and Craft of Blogging

grotesque ground

Promoting the grotesque in cinema and literature.

CURNBLOG

Movies, thoughts, thoughts about movies.

crazynonsensetalk

A ranting woman's mind

The Tyranny of Tradition

Lamentations and Jeremiads 25 Years After The End Of History

What Are You Doing Here?

A Black Woman's Life and Liberation in Heavy Metal

The WordPress.com Blog

The latest news on WordPress.com and the WordPress community.