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Face Off Season 10 Episode 14: The Big Finale Part 2 “Sinister Showdown”

Published April 14, 2016 by vfdpixie

The second part of the finale had the artists tweaking their makeups to suit what the directors needed.  Walter and Melissa didn’t have too much more to do, but Rob would have to redo his makeups from scratch.  They had very little time left, but a visit from their loved ones helped spur them on.  Walter’s wife, Melissa’s hubby and son, and Rob’s parents gave them some much-needed support before they went full force to finish their makeups for their films.

The each arrived at the creepy mansion on the oilfield to shoot their scenes, and as noted in the previous post, Jason Blum would be on the reveal stage to help judge the final films and makeup.

Melissa finished her molds on set. She got Johnny to affix the appliances differently so they would hold up to the actor’s sweat.  Melissa bounced between makeups to get everything finished.  On set, the judges thought she hit the right notes for her director John Wynn.  He asked her to add a bit more sheen to the possessed makeup and make the demon eye more gooey.  She was happy with how the makeup turned out and thanked her “Team Badass” for their help.  The film was called Hellhole: The Possession and  the judges thought it was a cohesive makeup and liked the organic elements in the prosthetics.  Jason Blum thought her creativity with the cyclops demon was great and her director thought she did something really different with the concept.

Rob had a lot of work to do.  He needed Anna to do a more simple possession makeup and  he had to get rid of the demon’s horn to make the look more sleek; while Kaleb worked on new shoulder pieces.  On set he was terrified but excited.  Anna blended the prosthetics like a maniac, and Rob came up with a gag to make oil seep out of the demon’s eye.  He was happy with the end result, but was apprehensive about what his director Bryce McGuire would say.  Luckily, he only asked for dust on the demon and to keep the possessed makeup hair wet so the oil wouldn’t cake.  The judges liked the eye gag that worked really well, and Rob was happy with his team and thought it was the best creature he’d ever made.  Neville thought he gave them a classic demon that told the story, and they loved the possessed makeup for the J-horror feel.  Glenn thought Rob focused on the right things, and his director thought he was a stroke of genius.  The film, Hellhole: Dead Earth, took place in 1929, and impressed the judges. Ve also loved the horns that looked like a crown on the demon.

Walter was prepared and ready to get to the film set.  Mel made sure not to overdo the painting this time around, and they all focused on the many details to make the characters camera ready for director Ryan Spindell.  The judges loved the integrated vines in the possession makeup, and thought the demon looked “rad” under the lights.   Ve liked the demon’s boils on one of the biggest makeups on the show, and Neville thought they covered a lot of work.  In the film Hellhole: Dark Harvest, the demon looked great!

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The winner was Rob!  He was grateful for this life changing experience, and was happy to share the moment with his parents.  He walks away with a Fiat 500, $100,000 and a visit to one of Kryolan’s 85 international locations.

If you’d like to check out the films, click here. (Canadian fans will have to watch the full episode here, since the short films will play in the U.S. only…boo!!).

All the finalists were really talented and deserved to be there.  Congrats to Rob! Now we have to wait for the next season to see more crazy challenges and innovative makeups!

Face Off Season 9 Episode 13-The Finale Part 1

Published October 25, 2015 by vfdpixie

The finale finally arrived, and after some encouraging words from their loved ones, the three remaining artists got ready to do their best work yet in order to win the competition.

When they got to the lab, they were met by McKenzie and the Face Off TV crew.  It was a clue for their next challenge, which would have them work with a director and crew to create three short films on location. This was the challenge I was waiting for! the three finalists were excited, and even more so when they found out who the director would be-none other than Face Off royalty, director and special effects makeup artist Patrick Tatopoulos, my other TV crush.  The artists would pick from three scripts:  The Prey, Resurrection, and Quarantine Zone, and would have to create two drastically different characters.  Patrick would have cast, storyboards, and instructions for the different colours and textures of each film.  The artists would also get a film test before shooting, so Patrick could see what needed to be tweaked with the makeups, giving the contestants a chance to have a camera-ready look.  Like every finale challenge, they would have the help of former contestants.

Evan picked Stevie and Kevon.  They would work on the Quarantine Zone script.  His characters were infected with a virus.  The female wanderer character was to have a subtle makeup revealed slowly, and the male was to have a more advanced stage of infection.  Evan wanted to create an exoskeleton for the male character, but he realized the looks weren’t cohesive, so his team started over.  After worrying about a deep crack in his cowl which ended up being fine, he didn’t like what he had to offer.  When they went for the screen test, Patrick pointed out the colour of the female was too dark and she looked too healthy.  The male character needed some flesh toned paint and a more human appearance.  He also disliked a snuggle tooth and wanted some hair on the male infected.  Evan had some work to do but was glad he had a second chance.

Ben picked Resurrection.  He had Jordan and Scott on his team.  The story for his film was an alien priest who resurrects an ancient creature.  The contrast between the characters would be a sleek priest and Neanderthal version of him as the creature.  A fire would be the light source, so Ben wanted the priest to have a glowing look.  Scott would sculpt the creature and Ben took on the priest.  Jordan created a scarab that would tie the two characters together.  Ben was exhausted and ran out of time so they had to do a full paint job in last looks.  Patrick wanted the creature’s eyes lightened, and his back painted properly.  He also wanted something more for the priest’s mouth.

Nora worked on The Prey script, with Meg and Jasmine on her team.  She created a human prey and a big, organic tree-like hunter.  She had moments of doubt once again, but Meg supported her and they carried on.  The prey character was a full body paint job, and the hunter ended up being too red, so they had to fix the paint job.  On screen, she was told to bump up the hunter’s moss and green tones, and Patrick liked the prey.  She only had minor adjustments to make.

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After the screen tests, McKenzie revealed yet another twist for the finale challenge.  During a major production, there is always a chance for the script to change.  In their case, there would be a third character added, so once again, we are left with a cliff hanger as the last part of the finale gets under way next week!

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