mama

All posts tagged mama

IT Breaks the Remake Curse

Published September 12, 2017 by rmpixie

It (2017, 2 hrs 15 mins)

We all know by now that Stephen King is one of the most prolific horror writers of the 21st century. Along with his incredible library of terrors comes film adaptions. Some are classics like Christine, The Dead Zone, Carrie and The Shining, and some were not so great like Sleepwalkers (although a cat does save the day), Dreamcatcher, and Secret Window. Being a fan since my teens, I’ve read a lot of his books and watched the good and bad films. One of my favourites has to be It. This chilling book told the tale of a clown that terrorized a small town in Maine and its children every 27 years. When the TV mini-series adaptation was aired in 1990, I was there with bells on and loved it. Fast forward to this summer where Andy Muschietti, director of Mama, took the helm to create a modern take on the demonic clown. I was a little skeptical since I had mixed feelings about Mama, but this director has an aesthetic that I like, so I was willing to give it a go. I’m pleased to say that he has done a more than successful job in modernizing the mini-series into a fast-paced horror movie, destined to create new fans and please the old ones of Stephen King’s work.

The town of Derry is seemingly peaceful and a great place to raise a family, but there is a darkness that dwells there. Georgie (Jackson Robert Scott), Bill Denbrough’s (Jaden Lieberher) brother has gone missing after being lured into a sewer by a menacing clown. Given up for dead, the town puts a curfew in place to save other children from going missing as they try to figure out what happened, but 7 young misfits know better. They have all been tormented by the clown in their waking life, being lured and taunted by him; becoming his inevitable prey as he feeds off their fears. When they realized they’ve all encountered this clown known as Pennywise, they band together to defeat this evil entity.

From L to R: Eddie (Jack Dylan Grazer), Stanley (Wyatt Oleff), Richie (Finn Wolfhard), Mike (Chosen Jacobs), Bill (Jaden Lieberher), Beverly (Sophia Lillis), and Ben (Jeremy Ray Taylor). Photo credit: IMDb

King has a way of conveying an incredible sense of nostalgia with his books, and luckily films like Stand by Me and The Green Mile were in the hands of competent directors who created visual testaments to King’s skill. The 1990 version of It directed by Tommy Lee Wallace works well too, tapping into the schoolyard fears of being bullied and not having the idyllic childhood that so many strive for. I also enjoyed the introduction of characters as adults and their encounters with the dreaded Pennywise in flashbacks. In the 2017 version, we get only the childhood battle with the demon clown, but here instead of a timeline from the late 1950s to the mid 1980s-early 90s, the kids are based in the 80s.

Everything 80s is new again, from the hit Netflix series Stranger Things to popular bands touring for their now adult fans. The writing team of Cary Fukunaga (director of HBO’s True Detective), Gary Dauberman (writer of both Annabelle films), and Chase Palmer were extremely smart about the setting of the remake. Instead of regurgitating the same timelines from the original and making a static revamp mired in a world that is further removed from our generation, they made the timeline dynamic because it holds so much meaning to many of us that grew up in that era, tapping into a visceral feeling of that same nostalgia King is so brilliant at. It translates really well, especially with the music choices, and we all relate to the kids in the film because it felt like we were all there. They also took great pains to encapsulate the episodic TV representation, streamlining action and changing some moments to make things fresh while still capturing the same feel of childhood uncertainty that comes with being a preteen.

Pennywise has become iconic because of Tim Curry’s terrifying portrayal. Everyone remembers the scary clown’s grimacing mouth filled to the brim with razor-sharp teeth. Those are large clown shoes to fill, but Bill Skarsgard did a fantastic job channeling the essence of the evil Pennywise and at the same time making it his own. His handsome young face is unrecognizable under the clown makeup and prosthetics; his voice is eerily childlike, cartoonish and menacing all at once. The ensemble cast that makes up this modern “Loser’s Club” was engaging, sharp and had the best chemistry. Finn Wolfhard embodied the cut-up Richie with a wit that made me forget he’s the kid from Stranger Things. Lieberher and Chosen Jacobs both worked well as Bill and Mike respectively; embracing the sensitivity of the two characters, and Jeremy Ray Taylor will break your heart as the awkward and love-struck Ben. Last but not least, Sophia Lillis was tomboyish and feminine with a wonderful strength that updated the original interpretation of Beverly.

Oh that Pennywise! (Bill Skarsgard)

My only criticism is that Beverly ends up being the damsel in distress that the boys must save after we see her come through as a fighter and survivor of abuse, as well as the unifying, peace-keeping member of the group. It’s contradictory, but in the book, it’s worse when she offers herself up to the boys in a weird sexual bonding scene to unite the group. Other than her needing to be rescued, the new Beverly stands up for herself making this portrayal the lesser of two evils.

If you’re looking for a relevant walk down memory lane, It is a must-see. With the film’s current box office take of 123 million dollars, and a sequel focusing on the kids as adults back to battle Pennywise in the works, horror has clearly made its place in the theatres. I keep saying (and will continue to say) movie-goers are hungry for content, and even though this is a remake of a classic, it’s well done and worth the cost of a movie ticket.

 

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Mama’s Monstrous Wig

Published May 12, 2013 by rmpixie

mama

Mama (2013, 1 hr 40 mins)

Remember how jazzed I was to see Mama, the short film expanded to full length by brother and sister team Andy and Barbara Muschietti? (https://rosemaryspixie.wordpress.com/?s=mama&x=18&y=2) Well, I finally saw it, in the wee hours of Mother’s Day, no less.  This was not planned, but it’s fitting for obvious reasons.

Mama tells us the tale of 2 little girls, Victoria and Lilly, who, after their father Jeffrey murders some colleagues and his wife, are taken to a remote cabin where he intends to end their lives as well.  Before he can finish his heinous deed, a ghostly figure makes short work of dispatching him from this earth.  This thing, or Mama, takes care of the girls for five years, feeding them cherries as they run wild in the forest.

Jeffrey’s brother Lucas (both played by Nikolaj Coster-Waldau) , has been relentlessly searching for his nieces since their disappearance, and his hired trackers finally hit pay dirt.  Literally, as they find the grimy little girls crouching and growling in the filthy, abandoned cabin.

They are taken to a clinic where they are looked after and studied.  Lucas, with the help of their psychiatrist, Dr. Dreyfuss (Daniel Kash), gains custody of the girls, much to the chagrin of their dead mother’s sister, Aunt Jean (Jane Moffat), and his girlfriend Annabel (Jessica Chastain),  a tough, chick in a rock band living the rock band life.  It is a time of adjustment for the girls, as they learn to speak and deal with normal behaviour.  Lilly (Isabelle Nélisse), the younger of the two, is quite feral, walking on all fours with a bug-like speed; hardly speaking at all.  Victoria (Megan Charpentier) remembers more of her life before the kidnapping and adapts faster.

Weird things start to happen, their behaviour is obviously still weird, and the girls hang on to their secret of Mama, who has followed them to their new home.  When Annabel swears she sees someone in the house, Lucas investigates only to be seriously injured after Mama shows herself to him.   He is taken out of the game, and we learn through Victoria that Mama has had a terrible history, and is very protective over the girls.  The story becomes a battle between Mama, Annabel, and anyone that threatens to take the girls away from her.

I was expecting a really great movie.  I really loved the short film by the Muschietti duo.  It looked so promising and really scary.  Mama is their first big budget film produced by Guillermo Del Toro, and it was a good attempt, but only o.k. by pixie standards.  Jessica Chastain worked her magic as Annabel and was really believable as a tough woman who is reluctant to be thrown into a mother role.  I was also impressed with Isabelle Nélisse who played Lilly.  This kid gave me the creeps, with her rotten toothed, bug eating, creepy smiling demeanour.  I love Nikolaj Coster-Waldau who plays Jaime Lannister on Game of Thrones, and he looks particularly delicious in Mama, but is not really stand out here.  My problem lies with Mama herself.  I know from monsters, and the C.G.I charactization was not that great.  I would have preferred her to be more  life-like and less cartoonish.  Aside from a few surprise moments, she became less and less scary and kind of ridiculous, especially when she is reduced to a long scraggly wig ominously skimming the floor after its prey.  There was also a scene where the psychiatrist is getting information from his secretary, and she hands him a box of remains, speechifying about ghosts and how to put them to rest.  And you are…a shaman?  A wiccan?  A seer?  Or just a story device to throw in some clarification.  Kind of slap-dash.  The ending was also a tad drawn out, and well, not good.  In the real world, those people would have lots of ‘splaining to do for sure, crawling around all bloodied in the forest.

The moral of Mama is:  don’t wig out and murder a bunch of people, then kidnap your kids and try to kill them too.  Because wigging out and murder is generally a bad idea, and may lead to ghosts with bad wigs and a killer maternal instinct.  Just get cats….lots and lots of cats.  But I digress.  I will give this film props for the eerie mood and an interesting story, but the second half was kind of a mess.  I would love to see the next project by this brother and sister team, since they have promise and big name backing.  Onwards and upwards, I say!

Most Memorable Line:  When Aunt Jean drops by unexpectedly to visit the still somewhat feral girls, she asks, “How are they?”  Annabel replies, “Outdoorsy”.  Best line I’ve heard in a long time.

Favourite Scene:  When the trackers find the girls in the cabin.  They skitter around like creepy giant spiders, covered in dirt.  Pretty much a nightmare for me.  Fast, dirty children snarling at me.  Yikes!

Mama’s Mama-An Update

Published January 6, 2013 by rmpixie

mamashort

I’m not really a hype type of pixie, but I’ve said before on this blog how jazzed I am to see the upcoming Mama.  So I was equally jazzed when I got wind that there was a short film by Andres and Barbara Muschietti which gave birth to the feature, so to speak.  As you will hear in this clip, even executive producer Guillermo del Toro, who brought us HellboyThe Devil’s Backbone, and Pan’s Labyrinth, was scared the first time he saw it.  Holy creepy!!  This gave me the willies and I don’t scare easily, so just be forewarned!

Can’t wait for January 18th when Mama hits the big screen.  EEK!

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