Sightseers

All posts tagged Sightseers

RAW at the Royal: Angst and the Hungry Girl

Published May 2, 2017 by rmpixie

 

Raw (2016, 1 hr, 39 mins)

Growing up is difficult for most. Learning who you are, what influences you, and nurture versus nature all factor in how you develop as a human being. When family secrets and dysfunction come into play, the “coming of age” process becomes much more complicated. Julia Ducournau’s film Raw takes these factors on with a female perspective, creating a clever blend of genre film and a female driven narrative mixed with some genuinely human moments. This past weekend, I finally got to see this buzzed about film presented by VICE’s Krista Dzialoszynski at the Royal Cinema. I was eager to see exactly what caused some audience members to become ill at TIFF 2016 and other film festivals because of the graphic content, and I wasn’t disappointed.

Justine (Garance Marillier) is a young woman entering her first year of veterinarian school. She is nervous for this next step in her life, but her older sister, Alex (Ella Rumpf) is a student at the same school, and she shows Justine the ropes as the first year students endure rigorous and brutal hazing. She also has the help of her homosexual roommate Adrien (Rabah Nait Oufella), whom she grows attracted to.

Justine is thrown for a loop when she is forced to eat a rabbit’s kidney during a hazing activity. She and her family are vegetarian, so this test changes her whole world with just one swallow. Horrible rashes, painful hunger and a hankering for meat plagues her after she eats the dreaded animal part, making her already difficult adjustment to college life, coping with being an above average student, and her blossoming adulthood even more trying.   A freak accident with her sister pushes her over the blood lust threshold with cannibalistic tendencies, and the discovery of her sister’s secret becomes more than she can bear.  Justine must struggle with her newfound affliction, her inability to fit in and intense sibling rivalry steeped in secrets.

After their Carrie-esque initiation, Justine (Marillier) is fed the fated rabbit kidney by her sister Alex (Rumpf) as Adrien (Oufella) watches. photo credit: Focus World

The discussion after the screening with Krista Dzialoszynski of VICE and the Bloody Mary Film Festival and Alexandra West, author of Films of the New French Extremity: Visceral Horror and National Identity and co-host of the Faculty of Horror podcast touched on female themes such as loss of virginity, menstruation, and the sterilization of all aspects of being a girl and woman in society and film. They applauded Ducournau for showing a coming of age story from a distinctly female perspective. Instead of the “male gaze” of a siren or chaste mother figure, they noted how Ducournau breaks the mold with Justine and her gruesome ordeal; using literal representations of the blood and guts of growing pains. Both Dzialoszynski and West felt that now is the time to show different stories in the genre film scene, and they had high hopes that female and other perspectives outside of the white, male scope will soon become more than a passing fad .

Along with the female rites of passage Dzialoszynski and West discussed, my favourite theme of the film was that of family dysfunction. Justine and Alex’s family dynamic is established with ease and with very little information in the film.  We gather that there is some coddling from their mother, resignation from their father, and a sibling rivalry that becomes increasingly toxic as the sisters blackmail each other with their secrets. This aspect made Justine’s affliction somehow all at once bizarre and relatable.  The normalcy of worried parents, cutting the aprons strings, and vindictive siblings while dealing with being different isn’t hard to believe even though it’s presented in such an extreme way.

Justine’s meat cravings coincide with her sexual maturation as she is free to explore new feelings and experience new things. Her suppressed personality and naivety about the world around her is challenged, especially with her feelings for the out of reach Adrien, and she is forced to confront things outside of her control. Marillier does a stellar job portraying Justine’s uncertainty with this dilemma, as she toils with blazing her own trail, giving in to her animalistic urges, and try to fit into this barely civilized student world. It’s a predicament that many young women face shown in an unusual light. The chemistry between Rumpf and Marillier was also fantastic, creating a believable and twisted bond.

I was surprised by how funny Raw was. Moments that were genuinely human, absurd and silly, like the sisterly act of Alex helping Justine wax her bikini line (with disastrous and life-changing results), or morbid advice from a fellow student with an eating disorder about vomiting techniques were clever and captured the ordeals and pressures of being a young woman without cheap laughs. Ducournau’s skill at integrating these moments seamlessly with horror elements and gore puts her film in equal standing with the classic female coming of age horrors and makes me want to see what else she has to offer.

I also enjoyed the scoring and soundtrack that revolved between electronic music and modern baroque arrangements of organs, harpsichord and strings for the film’s theme song. Once you hear the repetition of the chords, it creates a sweet, almost gut-rot tension that stays with you. It’s no wonder since the composer Jim Williams has made tension building music for Ben Wheatley’s Kill List and Sightseers, two very different but equally twisted films. You’ll also notice the gorgeous cinematography by Ruben Impens. His use of colour was striking, as well as light, shadow and slow motion; giving a dream-like quality to scenes and contrast to the drab backdrop of daily occurrences as a student.

I’m still not sure why people were fainting during previous screenings, but then again, I’m a horror hound and not easily fazed.  In fact, I think it just shows how magnificent the makeup FX team was on this film. While there are some disturbing animal dissection scenes for those who are sensitive or vegetarian (like me), I suggest seeing Raw because of its many layers, as well as the gore and its depiction of the messiness of a young awkward woman’s life that for once isn’t sterilized for mass consumption.

 

Prevenge-A Shudder Canada Exclusive Coming March 24th!

Published March 20, 2017 by rmpixie

Prevenge (2016, 1 hr 28 mins)

Alice Lowe as Ruth wreaking havoc maternity style.

When a woman carries a child, one can only imagine the range of emotions that she feels, from joy to fear to a sense of wonder at the life growing inside her. Only she knows how she feels, and only she has that special connection with her unborn child. But what if that connection is a sinister one; one of murderous intentions and revenge? This is the story that director and writer Alice Lowe brings to us in the dark horror comedy Prevenge. Making its way through the film fest circuit including TIFF 2016 and SXSW this year, you can now see it as a Shudder Canada Exclusive set to launch on March 24th.

Ruth (Alice Lowe) is a pregnant woman grieving the death of her partner. She is shell-shocked, alone, and on the surface, void of emotion. Inside, however, she listens to the nagging voice her unborn child, who forces her to become a serial killer out for vengeance. Ruth keeps a baby scrapbook, but instead of baby’s first ultrasound, there are notes and crudely drawn pictures of her targets. Her vengeance goes into overdrive as the twisted little life inside provokes her to kill these unsuspecting people who, to her, held great significance with the fate of her lost husband.

Absurd conversations and laugh out loud moments comprises this darkly clever film. With plenty of double meanings in the script, is also a thing of reflection as motives and a gross contradiction come into play. The notion that a pregnant woman about to bring a life into the world is also taking lives in most unpleasant ways toys with our sensibilities, conventions and taboos about a mother-to-be.

The nature of this pregnancy is truly parasitic. I have never been pregnant, and never will be, but the idea of being at the mercy of an organism living inside you is an awe-inspiring and scary prospect. I can only imagine what it would feel like to be ruled by something growing inside you: what to drink, what to eat and how you feel dictated every moment by a little interloper in your belly, and Ruth plays host to a rather nasty baby, or so it seems. Her telling appointment with midwife Nurse Jenny (Jo Hartley) is hilarious and chilling at the same time as she tells Ruth that her unborn daughter has all the control and “baby will tell you what to do.” Does this statement push her over the edge, or is the baby really using her as a puppet of mass destruction? We’re not quite sure what to believe about Ruth’s mental state, but it’s a truly interesting ride to say the least.

Alice Lowe is best known for her extensive comedy work, writing and acting in several British television and film projects, especially the 2012 black comedy Sightseers which she also co-wrote. She’s well versed in finding humour in the horrific, and Prevenge is that and much more. It’s a study of what someone who is grieving from loss may feel in an extreme situation, and for all the laughs the film provides, it’s also deeply emotional. Ruth has lost her partner and she is alone with a baby on the way exhibiting some not-so-normal tendencies.

According to an interview from this past February in The Guardian, Lowe reportedly wrote the script in 2 weeks and shot the film in 11 days while she was actually pregnant. For a first time director who has also written and starred in her own film, that’s no small feat, and her cast was just as effective as Lowe herself. With familiar faces like Hartley of David Brent: Life on the Road, and Kate Dickie of The Witch, you’ll enjoy seeing them take part in this darkly humorous fiasco. Pay attention to the throbbing synth scoring by Toydrum and some great cinematic moments, one of which had very distant echoes of the insane subway scene in Andrzej Zulawski’s Possession (1981).

For her directorial debut, Alice Lowe went with what she knew (well, sort of anyway). Prevenge is a study of the fears of being a new mother and the grieving process in a most surprising way. Be sure to see it when it launches exclusively on Shudder Canada this Friday!

 

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